The Mystery Knight is pretty important to Martin's worldbuilding, but it feels a bit scattered compared the other novellas. We're introduced to a number of hedge knights, proper knights, and lords right away and it becomes difficult to keep the lot of them straight. There are a few with differentiating characteristics—Ser Glendon Ball sticks out right away—but in general, I found myself struggling to recall who was who.
Dunk's experience in the lists is as riveting as ever, though. These novellas include some of the best action sequences Martin has written—even including the mainline A Song of Ice and Fire series—and The Mystery Knight is another fine example of that quality. But I couldn't help feeling that, while this entry is important to Martin's worldbuilding, it doesn't work nearly as well as a novella as The Hedge Knight and The Sworn Sword do. It lacks the focus and the tight narrative of the prior episodes, instead choosing to depict a conspiracy that deserves far more sprawl and page count than it gets here. I chalk this up to Martin's desire to fully flesh out his world's history, and not having the format to do so prior to the conception of his world books, The World of Ice and Fire and Fire and Blood. I believe that both The Mystery Knight and A Dance With Dragons are markedly weaker entries due to the fact that they're jam-packed with worldbuilding that Martin feels is important, but does not always make the stories in those two works better themselves.
The Mystery Knight is generally well-regarded by ASOIAF fans, but I found it clearly the weakest novella of the three that have been released thus far. It's still worth a read for its likable protagonists and its viscerally affecting depiction of jousting, but both The Hedge Knight and The Sworn Sword are more cohesive and more consistently readable.
⭐⭐⭐
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